Dear Friends of Bloomington Early Music
The Greek philosopher Heraclitus once wrote, “the only constant in life is change”. Over the last few months our entire lives have changed: our daily routines, the way we work, who we see, how we communicate. Through these changes we have been encouraged to find new and innovative ways to build community and do the things we love.   
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We reflect often on the resilience of art and artists during times of change and uncertainty, and Bloomington Early Music feels so fortunate to be part of Bloomington’s vibrant arts community. Over the last few months, we have been working with our community partners to build thoughtful collaborative projects that respond to the employment needs of local artists, as well as to the community’s need for togetherness during this time of isolation.  

Our work is made possible by the generosity of individual donors like you. Please join with us in making a contribution to support the Bloomington early music community and our commitment to sharing performances with you.  

Reminded of this powerful call to action by Martin Luther King, Jr. in a recent statement from Early Music America, the Bloomington Early Music Festival joins artists and arts organizations around the country in an affirmation of and commitment to racial equality and justice.

The horrific, unnecessary death of George Floyd and so many others, the assaults on those falsely blamed for the COVID-19 pandemic, the concerted otherizing of immigrants during the past few years, coupled with the anguished cry from protestors around the country this week, remind us that we live in a world that is profoundly broken, a world that demands equal access to opportunity, public safety, freedom of speech, healthcare, education – and artistic expression.

The Bloomington Early Music Festival stands in solidarity and alliance with the Black community and all people of color as we recognize the systemic inequities of our nation.  

As we take stock of our future as an arts organization in the midst of such pain and conflict, we are strengthened in our commitment to the values we recently adopted:

• We are committed to being societally engaged
• We support diversity through music that is global, multicultural, and multi-genre
• We seek to include multiple constituencies in both performers and audiences
  
  

Music at its core is about the human condition. As Plato wrote, it “gives a soul to the universe, wings to the mind, flight to the imagination, and life to everything.” Our responsibility now is to truly embrace these words by developing projects and programming that are increasingly responsive to the times we live in, that shed light on underrepresented communities and inequities through the ages, and that expand an awareness of historical performance through multiple cultural lenses.

In hopes for a just world in which all can experience and celebrate early music,
     Bloomington Early Music Board Members:
     Alain Barker, Paul Borg, Aaron Cain, Alison Calhoun,
     Sally Gaskill, Julia Lawson, Dana Marsh, Stanley Ritchie,
     Thomas Schaller, and Shelley Taylor

Image: Joseph Bologne, Chevalier de Saint-Georges (December 25, 1745 – June 12, 1799) was a champion fencer, classical composer, virtuoso violinist, and conductor of the leading symphony orchestra in Paris. Born in the French colony of Guadeloupe, he was the son of George Bologne de Saint-Georges, a wealthy married planter, and Anne dite Nanon, his wife's African slave. Painting by Mather Brown (1787).